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Alexander-Goehr-Archiv
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Alexander-Goehr-Archiv
Informationen zum Bestand
Alexander-Goehr-Archiv
The cover of Paul Griffith's extended essay of Alexander Goehr's Music. The book also contains the catalogue of the music manuscripts in the Alexander Goehr Archive as well as illustrations, music examples, and an introduction by Werner Gruenzweig. Included is a CD containing "Das Gesetz der Quadrille", Op. 41 and String Quartet No. 3, Op. 37.
Alexander Goehr: Since Brass, nor Stone, Percussion part, manuscript.
 
Goehr, Alexander (1932), Komponist, Musikschriftsteller, Hochschullehrer


Kurzbiografie/ Geschichte der Institution

geb. 10.8.1932 in Berlin. Aufgewachsen in England. Kompositionsstudien in Manchester, ab 1955 bei Olivier Messiaen in Paris. 1956 erste Aufführung bei den Darmstädter Ferienkursen, Uraufführung der Oper "Arden Must Die" 1967 an der Hamburger Staatsoper. Sein Werk umfaßt alle Genres von Instrumental- und Vokalmusik. Er wandte sich früh von strikter Serialität in der Musik ab, die er als Kult stilistischer Reinheit betrachtete. Goehr unterrichtete Musik auf vier Kontinenten und war von 1976 - 1999 Professor an der Universität von Cambridge.

Beschreibung des Bestandes

Notenhandschriften, Skizzen und Entwürfe, u. a. zu seinen Opern "Arden Must Die", "Music Theatre Triptych", "Behold the Sun", "Arianna", "Kantan and Damask Drum" sowie "Promised End"; Manuskripte und Druckbelege seiner Libretti, Artikel und Vorträge; Materialien aus seiner Unterrichtstätigkeit; Korrepondenz, u. a. mit Milton Babbitt, George Benjamin, Isaiah Berlin, Elliott Carter, Peter Maxwell Davies, Georg Eisler, Roberto Gerhard, Felix Greissle, Jascha Horenstein, Klaus Huber, Yehudi Menuhin, John Ogdon, George Perle, Ulrich Siegele, Leonard Stein, Wladimir Vogel, Hugh Wood und Tabea Zimmermann; biographische Unterlagen; Zeitungskritiken, Programmhefte, und Fotos; Tonaufnahmen von Aufführungen seiner Werke


Verweise
Laufzeit
Umfang9,2 lfm.
Findhilfsmittel
Datenbank, Findbuch
Benutzbarkeitteilerschlossen
ZitierweiseAkademie der Künste [AdK], Berlin, Alexander-Goehr-Archiv
LiteraturAlexander Goehr. "Fings ain't wot they used t'be", hg. von Werner Grünzweig (=Archive zur Musik des 20. und 21. Jahrhunderts Bd. 13). Jack Van Zandt: Alexander Goehr - Composing a Life. Teachers, Mentors, and Models. Manchester: Carcanet 2023
Standort(e)Robert-Koch-Platz
Permalink
https://archiv.adk.de/bigobjekt/17489
Verzeichnungseinheiten:
Arianna. Lost opera by Claudio Monteverdi composed again by Alexander Goehr. Opera in 8 scenes, Op. 58.
Text: Ottavio Rinuccini, English translation: Patrick Boyde
Arianna. Lost opera by Claudio Monteverdi composed again by Alexander Goehr. Opera in 8 scenes, Op. 58.
Text: Ottavio Rinuccini, English translation: Patrick Boyde
Arianna. Lost opera by Claudio Monteverdi composed again by Alexander Goehr. Opera in 8 scenes, Op. 58.
Text: Ottavio Rinuccini, English translation: Patrick Boyde
Arianna. Lost opera by Claudio Monteverdi composed again by Alexander Goehr. Opera in 8 scenes, Op. 58.
Text: Ottavio Rinuccini, English translation: Patrick Boyde
Arianna. Lost opera by Claudio Monteverdi composed again by Alexander Goehr. Opera in 8 scenes, Op. 58.
Text: Ottavio Rinuccini, English translation: Patrick Boyde
Arianna. Lost opera by Claudio Monteverdi composed again by Alexander Goehr. Opera in 8 scenes, Op. 58.
Text: Ottavio Rinuccini, English translation: Patrick Boyde
Arianna. Lost opera by Claudio Monteverdi composed again by Alexander Goehr. Opera in 8 scenes, Op. 58.
Text: Ottavio Rinuccini, English translation: Patrick Boyde
Arianna. Lost opera by Claudio Monteverdi composed again by Alexander Goehr. Opera in 8 scenes, Op. 58.
Text: Ottavio Rinuccini, English translation: Patrick Boyde
Arianna. Lost opera by Claudio Monteverdi composed again by Alexander Goehr. Opera in 8 scenes, Op. 58.
Text: Ottavio Rinuccini, English translation: Patrick Boyde
Arianna. Lost opera by Claudio Monteverdi composed again by Alexander Goehr. Opera in 8 scenes, Op. 58.
Text: Ottavio Rinuccini, English translation: Patrick Boyde
Arianna. Lost opera by Claudio Monteverdi composed again by Alexander Goehr. Opera in 8 scenes, Op. 58.
Text: Ottavio Rinuccini, English translation: Patrick Boyde
Arianna. Lost opera by Claudio Monteverdi composed again by Alexander Goehr. Opera in 8 scenes, Op. 58.
Text: Ottavio Rinuccini, English translation: Patrick Boyde
Arianna. Lost opera by Claudio Monteverdi composed again by Alexander Goehr. Opera in 8 scenes, Op. 58.
Text: Ottavio Rinuccini, English translation: Patrick Boyde
Arianna. Lost opera by Claudio Monteverdi composed again by Alexander Goehr. Opera in 8 scenes, Op. 58.
Text: Ottavio Rinuccini, English translation: Patrick Boyde
Arianna. Lost opera by Claudio Monteverdi composed again by Alexander Goehr. Opera in 8 scenes, Op. 58.
Text: Ottavio Rinuccini, English translation: Patrick Boyde
Arianna. Lost opera by Claudio Monteverdi composed again by Alexander Goehr. Opera in 8 scenes, Op. 58.
Text: Ottavio Rinuccini, English translation: Patrick Boyde
Arianna. Lost opera by Claudio Monteverdi composed again by Alexander Goehr. Opera in 8 scenes, Op. 58.
Text: Ottavio Rinuccini, English translation: Patrick Boyde
Arianna. Lost opera by Claudio Monteverdi composed again by Alexander Goehr. Opera in 8 scenes, Op. 58.
Text: Ottavio Rinuccini, English translation: Patrick Boyde
Arden muß sterben/Arden must die. Opera in two acts, Op. 21. Libretto by Erich Fried based on the anonymous sixteenth-century play "Arden of Faversham". English translation by Geoffry Skelton
Arden muß sterben/Arden must die. Opera in two acts, Op. 21. Libretto by Erich Fried based on the anonymous sixteenth-century play "Arden of Faversham". English translation by Geoffry Skelton
Arden muß sterben/Arden must die. Opera in two acts, Op. 21. Libretto by Erich Fried based on the anonymous sixteenth-century play "Arden of Faversham". English translation by Geoffry Skelton
Arden muß sterben/Arden must die. Opera in two acts, Op. 21. Libretto by Erich Fried based on the anonymous sixteenth-century play "Arden of Faversham". English translation by Geoffry Skelton
Arden muß sterben/Arden must die. Opera in two acts, Op. 21. Libretto by Erich Fried based on the anonymous sixteenth-century play "Arden of Faversham". English translation by Geoffry Skelton
Arden muß sterben/Arden must die. Opera in two acts, Op. 21. Libretto by Erich Fried based on the anonymous sixteenth-century play "Arden of Faversham". English translation by Geoffry Skelton
Fantasias for clarinet and piano, Op. 3
Fantasia for orchestra, Op. 4
String Quartet No. 1, Op. 5
String Quartet No. 1, Op. 5
String Quartet No. 1, Op. 5
The Deluge. Cantata on a text after Leonardo da Vinci, Op. 7.
Soprano, contralto and ensemble
Four Songs from the Japanese, Op. 9
High voice and orchestra
Four Songs from the Japanese, Op. 9a
High voice and pianoforte
Sutter's Gold, Op. 10. Cantata after S. M. Eisenstein
Bass solo, chorus and orchestra
Sutter's Gold, Op. 10. Cantata after S. M. Eisenstein
Bass solo, chorus and orchestra
Hecuba's Lament, Op. 12
Concerto for Violin and Orchestra, Op. 13
Concerto for Violin and Orchestra, Op. 13
Two Chorusses for mixed chorus a cappella, Op. 14. Text: John Milton, William Shalespeare
Little Symphony, Op. 15
Little Symphony, Op. 15
Five Poems and an Epigram of William Blake, Op. 17.
Mixed chorus, trumpet
Sutter's Gold, Op. 10. Cantata after S. M. Eisenstein
Bass solo, chorus and orchestra
Three Pieces for Piano, Op. 18
Three Pieces for Piano, Op. 18
Three Pieces for Piano, Op. 18
Pastorals, Op. 19
Piano Trio, Op. 20
Three Pieces from "Arden Must Die", Op. 21a
Wind orchestra, harp, and percussion
String Quartet No. 2, Op. 23
Romanza, Op. 24
Cello and orchestra
Romanza, Op. 24
Cello, orchestra
Romanza, Op. 24
Cello, orchestra
Naboth's Vineyard, Op. 25. Dramatic Madrigal with a text in Latin and English adapted from I Kings XXI
Naboth's Vineyard, Op. 25. Dramatic Madrigal with a text in Latin and English adapted from I Kings XXI
Symphony in One Movement, Op. 29
Symphony in One Movement, Op. 29
Concerto for Piano and Orchestra, Op. 33
Chaconne for Wind Instruments, Op. 34
Chaconne for Wind Instruments, Op. 34
Lyric Pieces, Op. 35.
Wind instruments, double bass
Metamorphosis/Dance, Op. 36
Metamorphosis/Dance, Op. 36
Metamorphosis/Dance, Op. 36
String Quartet No. 3, Op. 37
String Quartet No. 3, Op. 37
Psalm IV, Op. 38a.
Soprano, alto, female chorus, viola solo, organ
Romanza and Fugue on the Notes of the Fourth Psalm, Op. 38 b and Op. 38c
Prelude and Fugue, Op. 39
Three clarinets
Babylon the Great is Fallen, Op. 40. Text from the Bible
Chorus and orchestra
Babylon the Great is Fallen, Op. 40. Text from the Bible
Chorus and orchestra
Das Gesetz der Quadrille, Op. 41.
Voice, piano
Sinfonia, Op. 42.
Chamber orchestra
Sinfonia, Op. 42.
Chamber orchestra
Deux Etudes for Orchestra, Op. 43
Deux Etudes for Orchestra, Op. 43
Behold the Sun - Die Wiedertäufer. Opera in three acts, Op. 44. Libretto: John McGrath and Alexander Goehr. German translation: Bernhard Laux
Behold the Sun - Die Wiedertäufer. Opera in three acts, Op. 44. Libretto: John McGrath and Alexander Goehr. German translation: Bernhard Laux
Behold the Sun - Die Wiedertäufer. Opera in three acts, Op. 44. Libretto: John McGrath and Alexander Goehr. German translation: Bernhard Laux
Behold the Sun - Die Wiedertäufer. Opera in three acts, Op. 44. Libretto: John McGrath and Alexander Goehr. German translation: Bernhard Laux
Behold the Sun - Die Wiedertäufer. Opera in three acts, Op. 44. Libretto: John McGrath and Alexander Goehr. German translation: Bernhard Laux
Behold the Sun - Die Wiedertäufer. Opera in three acts, Op. 44. Libretto: John McGrath and Alexander Goehr. German translation: Bernhard Laux
Behold the Sun - Die Wiedertäufer. Opera in three acts, Op. 44. Libretto: John McGrath and Alexander Goehr. German translation: Bernhard Laux
Behold the Sun - Die Wiedertäufer. Opera in three acts, Op. 44. Libretto: John McGrath and Alexander Goehr. German translation: Bernhard Laux
Behold the Sun - Die Wiedertäufer. Opera in three acts, Op. 44. Libretto: John McGrath and Alexander Goehr. German translation: Bernhard Laux
Behold the Sun - Die Wiedertäufer. Opera in three acts, Op. 44. Libretto: John McGrath and Alexander Goehr. German translation: Bernhard Laux
Behold the Sun - Die Wiedertäufer. Opera in three acts, Op. 44. Libretto: John McGrath and Alexander Goehr. German translation: Bernhard Laux
Behold the Sun - Die Wiedertäufer. Opera in three acts, Op. 44. Libretto: John McGrath and Alexander Goehr. German translation: Bernhard Laux
Behold the Sun - Die Wiedertäufer. Opera in three acts, Op. 44. Libretto: John McGrath and Alexander Goehr. German translation: Bernhard Laux
Sonata for Cello and Piano, Op. 45
Sonata for Cello and Piano, Op. 45
Sonata for Cello and Piano, Op. 45
Sonata for Cello and Piano, Op. 45
...a musical offering (J.S.B. 1985)..., Op. 46
Fourteen players
...a musical offering (J.S.B. 1985)..., Op. 46
Fourteen players
Two Imitations of Baudelaire, Op. 47. Text: Robert Lowell
Mixed chorus a cappella
Two Imitations of Baudelaire, Op. 47. Text: Robert Lowell
Mixed chorus a cappella
Eve Dreams in Paradise, Op. 49
Mezzo soprano, tenor, and orchestra
Eve Dreams in Paradise, Op. 49
Mezzo soprano, tenor, and orchestra
Symphony with Chaconne, Op. 48
...in real time, Op. 50
Piano solo
...in real time, Op. 50
Piano solo
Sing Ariel, Op. 51
Mezzo sporano, two soprans, five players
Sing Ariel, Op. 51
Mezzo sporano, two soprans, five players
Sing Ariel, Op. 51.
Mezzo sporano, two soprans, and five players
String Quartet No. 4, Op. 52
The Death of Moses, Op. 53. Text: Taditional Jewish poetry adapted and translated by John Hollander
Five soloists, chorus, children's chorus, thirteen instrumentalists.
The Death of Moses, Op. 53. Text: Taditional Jewish poetry adapted and translated by John Hollander
Five soloists, chorus, children's chorus, thirteen instrumentalists.
The Death of Moses, Op. 53. Text: Taditional Jewish poetry adapted and translated by John Hollander
Five soloists, chorus, children's chorus, thirteen instrumentalists.
The Death of Moses, Op. 53, for five soloists, chorus, children's chorus and thirteen instrumentalists. Text: Taditional Jewish poetry adapted and translated by John Hollander
Colossos or Panic, Op. 55. Symphonic Fragment after Goya
Cambridge Hocquet, Op. 57
Four horns and orchestra
Arianna. Lost opera by Claudio Monteverdi composed again by Alexander Goehr. Opera in 8 scenes, Op. 58.
Text: Ottavio Rinuccini, English translation: Patrick Boyde
Arianna. Lost opera by Claudio Monteverdi composed again by Alexander Goehr. Opera in 8 scenes, Op. 58.
Text: Ottavio Rinuccini, English translation: Patrick Boyde
Uninterrupted Movement, Op. 59
Solo cello, four celli, and others
Three Songs, Op. 60. Text: Sir James Frazer from Ovid's "Fasti"
Voice, clarinet in A, viola
Three Songs, Op. 60. Text: Sir James Frazer from Ovid's "Fasti"
Voice, clarinet in A, viola
Schlussgesang /Endsong, Op. 61
Bratsche und Kammerorchester
Schlussgesang /Endsong, Op. 61
Bratsche und Kammerorchester
Schlussgesang /Endsong, Op. 61
Bratsche und Kammerorchester
"...kein Gedanke, nur ruhiger Schlaf" (in memoriam Olivier Messiaen), Op. 61a.
Kammerensemble
Quintet "Five Objects Darkly", Op. 62, for bass clarinet in B flat, horn in F, violin, viola and piano
Quintet "Five Objects Darkly", Op. 62.
Bass clarinet in B flat, horn in F, violin, viola, piano
Quintet "Five Objects Darkly", Op. 62.
Bass clarinet in B flat, horn in F, violin, viola, piano
Idées fixes. Sonata for 13, Op. 63
Idées fixes. Sonata for 13, Op. 63
Sur terre, en l'air. Three pieces, Op. 64
Viola, piano
Sur terre, en l'air. Three pieces, Op. 64
Viola, piano
Kantan and Damask Drum. Japanes Operas, Op. 67
Kantan and Damask Drum. Japanes Operas, Op. 67
Kantan and Damask Drum. Japanese Operas, Op. 67
Kantan and Damask Drum. Japanese Operas, Op. 67
Kantan and Damask Drum. Japanese Operas, Op. 67
Kantan and Damask Drum. Japanese Operas, Op. 67
Three Sonnets and Two Fantasias, Op. 68. Text: William Shakespeare, Robert Frost
Counter-tenor and viol consort
Three Sonnets and Two Fantasias, Op. 68. Text: William Shakespeare, Robert Frost
Counter-tenor and viol consort
Three Sonnets and Two Fantasias, Op. 68. Text: William Shakespeare, Robert Frost
Counter-tenor and viol consort
Three Sonnets and Two Fantasias, Op. 68. Text: William Shakespeare, Robert Frost
Counter-tenor and viol consort
The Mouse Metamorphosed into a Maid, Op. 54. Text: Marianne Moore after La Fontaine
Unaccompanied Voice
Piano Quintet, Op. 69
Piano Quintet, Op. 69
Suite, Op. 70
Violin, Piano
Suite, Op. 70
Violin, Piano
Suite, Op. 70
Violin, Piano
... around Stravisky, Op. 72
Violin, wind quartet
... around Stravisky, Op. 72
Violin, wind quartet
... around Stravisky, Op. 72
Violin, wind quartet
Symmetry Disoders Reach, Op 73
Klavier
Symmetry Disoders Reach, Op 73
Klavier
2 Notes only for Ollie ...
Eleven Players
2 Notes only for Ollie ...
Eleven Players
Marching to Carcassonne, Op. 74
Serenade for piano and 12 instruments
Marching to Carcassonne, Op. 74
Serenade for piano and 12 instruments
Adagio (Autoporträt), Op. 75
Adagio (Autoporträt), Op. 75
Adagio (Autoporträt), Op. 75
... second musical offering (GFH 2001), Op. 71
Dark Days, Op. 76. Text: Hesiod, transl. by Dorothy Wilder und Homer, translated by Alexander Goehr
Low voice, piano
Fantasie, Op. 77
Violoncello, piano
Broken Lute. Six pieces, Op. 78
Violin alone
Broken Lute. Six pieces, Op. 78
Violin alone
Quintet for Clarinet and Strings, Op. 79
Quintet for Clarinet and Strings, Op. 79
... second musical offering (GFH 2001), Op. 71
... second musical offering (GFH 2001), Op. 71
Since Brass nor Stone... Fantasy for string quartet and percussion, Op. 80
Since Brass nor Stone... Fantasy for string quartet and percussion, Op. 80
manere. Duo for clarinet and violin, Op. 81.
manere. Duo for clarinet and violin, Op. 81.
Overture, Op. 82
7 instruments and timpani
Overture, Op. 82
7 instruments and timpani
Broken Psalm, Op. 84
SATB chorus and organ
Turmmusik / Tower Music, Op. 85, Text: Franz Kafka, Jakob Boehme, Friedrich Dürrenmatt, Bible
2 Clarinets, brass, strings, baritone solo
I said I will take heed (Psalm 39), Op. 56
Double chorus, wind ensemble
I said I will take heed (Psalm 39), Op. 56
Double chorus, wind ensemble
Warngedichte, Op.22. Text: Erich Fried
Mezzo soprano, piano
Promised End. Opera to words from Shakespeare's King Lear, Op. 83. Texts selected by Frank Kermode
Promised End. Opera to words from Shakespeare's King Lear, Op. 83. Texts selected by Frank Kermode
Promised End. Opera to words from Shakespeare's King Lear, Op. 83. Texts selected by Frank Kermode
Promised End. Opera to words from Shakespeare's King Lear, Op. 83. Texts selected by Frank Kermode
Ariel, Sing
Alto flute in G solo
Carol for St. Steven. Text from W. Sandy's Christmas Carol, afdapted by Alexander Goehr
Mixed chorus
Carol for St. Steven, Text from W. Sandy's Christmas Carol, afdapted by Alexander Goehr
Mixed chorus
John Ogdon: Canon for flute and piano
David Wilde: Canzonetta for horn , with canonic accompaniment for flute, oboe, bassoon and 'cello
George Brown: A Canon for the Reverend
Alto flute, cor anglais, clarinet in Bb, violin, viola
Peter Maxwell Davies: A Birthday Telegram for Richard Hall
Piccolo, bass clarinet, bassoon, horn in F, strings
Edward Holman: Fugue for String Quartet
Piece for Yehudi Menuhin's 80th Birthday
Strings
Piece for Yehudi Menuhin's 80th Birthday
Strings
La belle dame sans merci
Ballet in one act
from Shadow of Night, Op. 86. Text: George Chapman
Counter-tenor and viol consort
from Shadow of Night, Op. 86. Text: George Chapman
Counter-tenor and viol consort
In Theresienstadt
Mezzo soprano, piano
Die Backchen. Text: Euripides, Übersetzung: Erich Fried
Die Backchen. Text: Euripides, Übersetzung: Erich Fried
Die Backchen. Text: Euripides, Übersetzung: Erich Fried
The Trojan Woman. Opera in one act (Fragment). Text: Alexander Goehr after the play by Euripides
The Trojan Woman. Opera in one act (Fragment). Text: Alexander Goehr after the play by Euripides
Oedipus Rex
Oedipus Rex
Oedipus Colonos
Oedipus Colonos
Incidental Music for Ted Hughes: The Wound. Radio play
Flute, clarinet in B-flat, piano, strings
Twice ninety E's and C's for Elliotts's 90th with affection and admiration
Violin, piano
Almost a Fugue (Promised End)
2 pianos
Incidental Music for Ibsen's 'Ghosts'
Bass clarinet, electric piano, organ, electric bass, percussion
Cambridge Fugue
Canon for Richard Hall's 60th Birthday. Fragment
Canonic Chorale for Igor Stravinsky
Flute, clarinet, harp
Canon for Michael Tippet's 60th Birthday
Chorus a cappella
Die kritische Haltung. Little passacaglia for David Drew's 60th birthday. Text: Bertolt Brecht
Voice, piano
Die kritische Haltung. Little passacaglia for David Drew's 60th birthday. Text: Bertolt Brecht
Voice, piano
Prelude for large orchestra. Fragment
Rattenfänger. Opera in one act and two scenes. Text: David Drew. Fragment
The Days the World Went Mad
Orchestra
The Days the World Went Mad
Orchestra
Bauern, Bonzen und Bomben. Regie: Egon Monk
Bauern, Bonzen und Bomben. Regie: Egon Monk
Bauern, Bonzen und Bomben. Regie: Egon Monk
Die Bertinis. Regie: Egon Monk
Die Bertinis. Regie: Egon Monk
Die Geschwister Oppermann
Die Geschwister Oppermann
Die Geschwister Oppermann
Die Gewehre der Frau Carrar. Text: Bertolt Brecht, Regie: Egon Monk
King Herod's Carol. Text: Erich Fried, Margaret Gardiner
Attempt at Bach Canons
Virtutes. Cycle of nine songs and melodramas. Text: Francis Bacon, Thomas Campion, Thomas Dekker, William Blake, Robert Southwell, Samuel Daniel, George Herbert, John Milton. Compiled by Gordon Humphrey
Speaker, mixed chorus, instrumentalists
Hymn to Night, Op. 87
Viola, piano
"She said: Rejoice..." Text: Samuel Hanagid
Gesang, Klavier
Prologue to the Marriage of Heaven and Hell. Text: William Blake
Low voice, piano
... as when a man. Text: Odyssey
2 basses, organ
Composition of A's and G's
Soprano saxophone in B-flat
A Little Cantata of Proverbs. Text: William Blake
For chorus and piano/organ ad libitum
Duos for two violins. Fragment
Bronze by Gold. Text: After James Joyce's Ulysses. Abandoned piece
Man gab mir einen Körper. Text: Osip Mandelstam. Fragment
Voice, piano
Shadowplay, Op. 30. Text: From the seventh book of Plato's "The Republic" adapted by David Cavander
The Dragon. Opera in three acts. Text: Alexander Goehr after the stageplay of Yevgeny Schwartz. Verworfenes Projekt
The Dragon. Opera in three acts. Text: Alexander Goehr after the stageplay of Yevgeny Schwartz. Verworfenes Projekt
The Dragon. Opera in three acts. Text: Alexander Goehr after the stageplay of Yevgeny Schwartz. Verworfenes Projekt
Ubu Roi. Text: Bryan Northcott. Nicht realisiertes Operprojekt
The Dragon. Opera in three acts. Text: Alexander Goehr after the stageplay of Yevgeny Schwartz. Verworfenes Projekt
Ubu Roi. Text: Bryan Northcott. Nicht realisiertes Operprojekt
Operprojekt, dem "Turandot"-Stoff verwandt, für Covent Garden. Nicht realisiert
Metamorphosis. Music theatre in ten scenes and six intermezzi from the story by Franz Kafka. Nicht realisiert
Skizzenbuch
Skizzenbuch
Skizzenbuch
Skizzenbuch
Birthday in Taglewood
Voice, piano
Birthday in Taglewood
Voice, piano
Orpheus Song. Text: Rainer Maria Rilke, translated by Robert Lowell. Abandoned piece
Castaway. Text; William Cooper. Abandoned piece.
Chorus, organ
Not identified sketches
Internationale Ferienkurse für Neue Musik, Darmstadt 1956-1957
"Donaueschinger Musiktage für zeitgenössische Tonkunst" 1965
Programmhefte York Festival
The London Sinfonietta: The Manchester School
Christopher Davies: Alexander Goehr und Erich Fried vor der Premiere von "Arden muß sterben"
Amira Goehr/George Benjamin: Oliver Knussen, George Benjamin/Amira Goehr, Alexander Goehr, Elliott Carter und Bayan Northcott
N.N.: Alexander Goehr am Klavier (mit Stockhausens "Gruppen für drei Orchester")
Suzie Maeder: Alexander Goehr und Daniel Barenboim
Laelia Goehr: Szenenfotos: Naboth's Vineyard
Betty Freeman: Portrait Alexander Goehr
Malcolm Crowthers: Portrait Alexander Goehr
Ashley Ashwood: Portrait Alexander Goehr
Manni Mason: Portrait Alexander Goehr
Laelia Goehr: Portrait Alexander Goehr
Laelia Goehr: Portrait Alexander Goehr
N.N.: Alexander Goehr in Toronto
Misha Donat: Portraits Alexander Goehr
N.N.: Alexander Goehr and Elliott Carter
N.N.: Portrait Richard Hall
N.N.: Portrait Walter Goehr
Ken Howard: Szenenfotos "Arianna"
N.N.: Szenenfotos "Arden Must Die"
N.N.: Fotos von der Aufnahmesitzung zu "Death of Moses"
Nick Davies: Szenenfotos "Naboth's Vineyard"
Peyer: Szenenfotos "Arden muß sterben"
Elisabeth Speidel: Szenenfotos "Arden muß sterben"
N.N.: Alexander Goehr and the Duchess of Kent
N.N.: Alexander Goehr, N.N., Ian Kempf, David Drew in Darmstadt 1956
Echo Commercial Photos:
N.N.: Peter Maxwell Davies, Alexander Goehr, Elgar Howarth, Harrison Birtwistle
N.N.: Charles Rosen and Alexander Goehr
N.N.: Alexander Goehr and Alfred Schnittke in Aldeburgh
N.N.: Alexander Goehr with Peter Maxwell Davies and L. Goehr
N.N.: Alexander Goehr with Peter Maxwell Davies and N.N.
Nigel Luckhurst: Alexander Goehr, Amira Katz-Goehr, Oliver Knussen
N.N.: Lawrence
N.N.: Alexander Goehr als Kind beim Blockflötenunterricht
N.N.: Alexander Goehr in China
N.N.: Portrait Alexander Goehr
Programmhefte zu "Triptych"
Programmhefte zu "Arianna"
Programme "Arden muss sterben/Arden Must Die"
Programmes "Mermaid Theatre"
Programme "BBC Proms"
Programme "Aldeburgh Festival"
Programme BBC Symphony Orchestra
Programme "Death of Moses"
Programme Komponistenportraits Alexander Goehr
Programme Carnegie Hall
Programme U.S.A., Canada
Programme Leeds
Arden Must Die. English translation: Geoffrey Skelton
Programme London
Fortschritt einst und jetzt: Begegnungen mit dem Komponisten Alexander Goehr. Alexander Goehr im Gespräch mit Werner Grünzweig und Christine Anderson auf Deutschlandradio Kultur
Fortschritt einst und jetzt: Begegnungen mit dem Komponisten Alexander Goehr. Alexander Goehr im Gespräch mit Werner Grünzweig und Christine Anderson auf Deutschlandradio Kultur
Fortschritt einst und jetzt: Begegnungen mit dem Komponisten Alexander Goehr. Alexander Goehr im Gespräch mit Werner Grünzweig und Christine Anderson auf Deutschlandradio Kultur
Fortschritt einst und jetzt: Begegnungen mit dem Komponisten Alexander Goehr. Alexander Goehr im Gespräch mit Werner Grünzweig und Christine Anderson auf Deutschlandradio Kultur
Fortschritt einst und jetzt: Begegnungen mit dem Komponisten Alexander Goehr. Alexander Goehr im Gespräch mit Werner Grünzweig und Christine Anderson auf Deutschlandradio Kultur
Fortschritt einst und jetzt: Begegnungen mit dem Komponisten Alexander Goehr. Alexander Goehr im Gespräch mit Werner Grünzweig und Christine Anderson auf Deutschlandradio Kultur
String Quartet No. 4. Memorial for John Ogden, op. 52
...between the Lines / ... zwischen den Zeilen
Chamber Symphony for eleven players